Cast, release date, trailer and more

Goodbye is a story about love, death and family that will appear in a film directed by Vikas Bahl (Queen, Super 30).

Balaji Motion Pictures, which is helmed by Ekta Kapoor and Shoba Kapoor, is producing the film. The music was written by Amit Trivedi (Kedarnath, Andhadhun) and the whole film takes two hours and eleven minutes to watch.

The film looks at the relationship between father and daughter against the background of values ​​and traditions.

Amitabh Bachchan plays the father in the film. Rashmika Mandanna plays Tara, Neena Gupta plays Gayatri, Sunil Grover, Pavyal Gulati, Abhishekh Khan, Ashish Vidyarthi, Elli AvrRam, Sahil Mehta and Hansa Singh are also in the cast. Mandanna will be directing her first film in Hindi, which is a big deal.

Goodbye movie

The story of farewell

Goodbye is about a father and daughter who are usually very different in their thoughts, actions and beliefs. Her mother, Gayatri (played by Neena Gupta), who is the only thing that holds them together, is the only thing that holds them together. But everything changes when Gayatri dies, taking away their bond.

The family prepares for Gayatri’s funeral while dealing with her loss. Everyone arrives in their own haste for the final ceremonies and rituals. In the story there is a son who married a foreigner. He cares about his mother, but not about the rites. His strange actions in a sad situation often make people laugh, and then his father tells him to stop.

Aside from that, Rashmika Mandanna, who plays Gayatri’s daughter, agrees. She feels her mother should decide how and when to say goodbye. Amitabh Bachchan plays her father, who immediately tells her she’s wrong.

Her father thinks that the last rites and rituals are sacred and should not be changed. He says it’s not like a birthday party where everyone chooses the theme. So he wants to give his wife a proper, traditional farewell before she goes to eternity.

Sunil Grover (Boss, Bharat) also plays a major role in the film. He calls himself a messenger of God and will be responsible for all rituals. His character also gives the impression that he will help Tara see the importance of values ​​and culture. along with the feelings that came with it.

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Date of the film’s release and a trailer

Goodbye will be shown in cinemas from October 7, 2022. You can also watch Queen, another heartwarming film directed by Vikas Bahl, on Jio Cinema.

Review of the film Goodbye: A look at the script

In the last two years, Hindi films like Ramprasad Ki Tehrvi, Pagglait and several others have explored how to deal with life’s greatest fear, which is losing someone close to you. What kind of circus is this leading to and do we really need to carry on as we have been doing for years? With his writing, Vikas Bahl adds something new and something more modern, and before anyone can question his idea, he hits it with the ultimate emotions. At least for him it’s a good thing.

Goodbye, written by Vikas, is about a family dealing with the death of the matriarch who was the glue that held this borderline dysfunctional but still held together family. When these characters meet and talk to each other for no reason other than the happy flashbacks, Bahl makes it clear that he wants a surge of emotion and memories to hit his audience, because that’s how his story will go. He connects audiences to his film by beginning with tragedy and then slowly going back in time to show what has been missing between the characters. And by the time you see Neena Gupta for the first time, viewers have already shed at least a few tears.

Please forgive me if I use the word emotion a lot, but Goodbye is all about the power of that one word. The clear goal is to let you see the world without a mother figure. It may be different for everyone, but the bond and its absence remain the same. Vikas even does it in a beautiful way. Because he not only thinks about what’s gone, but also about what life looks like and will look like without her.

Goodbye movie
Goodbye movie

In his desire to make real people and real problems, he adds humor to the script, largely based on the situation. But he knows his goal is to make people cry, so he doesn’t spend much time leading up to the funeral. And I dare you to hold back your tears because that feeling of emptiness we all fear pierces and breaks our hearts, even if there are some flaws. Even with Neena Gupta dead and lying on a block of ice, you can’t help but feel sad, and when the story goes back in time, that’s where the most warmth comes from.

The idea of ​​how and by whom someone should grieve is explored in depth. A father who is angry at everything around him for losing his anger, a son who makes it clear to him that he is not the only one who has lost someone and a daughter who doesn’t get along with her father and it now has to go through the conditioned rituals in order for her mother to find salvation. Everything comes to a standstill.

Not that the film is as good as Bahl’s Queen, which is another example of how well he handles emotions. (We’re not talking about Shaandaar here). But Goodbye isn’t always good at making changes. Most of the time it feels abrupt and you can feel the gap between funny and sad scenes. When a new scene starts, the bump can also be felt. Mostly because of the transition I was just talking about, but also because Vikas starts them off with some weird sounds. For example, when the father catches his son having sex on the night of his mother’s cremation, and there is a reason for that. Full marks for bringing up a modern problem, but the beginning is a bit odd.

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Review of the film Goodbye: Star Turn

Despite being 80 years old, Amitabh Bachchan is getting better and better as an actor and the fact that he is a megastar makes me respect him more every day. He must be strong because he is the father of this camp. My heart broke in every scene but especially the two where he prepares for the funeral but doesn’t have time to grieve and the one where he finally gets a chance to talk to his wife’s ashes. You can tell the actor doesn’t take his job for granted and he really lets you feel every emotion he plays. Be it his problem, his fears, his anger, his love or anything else.

As the film progresses, we learn more about Neena Gupta. She’s the perfect person and so sweet you can’t imagine someone like her burning at the stake. Her acting is filled with warmth and every time she’s with Big B she lives out her dream of being the heroine she always deserved.

Rashmika Mandanna gives a candid performance but it’s hard for her because Bachchan is on screen more than anyone else. The actor lets you believe his tears and you worry about Tara because the biggest anger is about her. The actor is walking the path pretty well, even if he has a lot of responsibilities. You get full marks for allowing her to record her own lines. But it’s a little disturbing when someone points out that the family is Punjabi and that Tara is the real child and was not adopted.

Pavail Gulati, Sahil Mehta, Elli Avram, and Ashish Vidyarthi, along with everyone else, play their roles with conviction and conviction. Sunil Grover impressed in a cameo. Think of him as Vikas Bahl trying to tell you what his film is about without being too preachy. The idea works because he says it in a way that’s easy to understand and like. He says we’re just stories, which is true.

Vikas Bahl knows his audience and gives them what they want. I look at things with a critical eye, but most people will look past the flaws to get into the story and end up crying.

There are significant gaps in the story that could have been fixed in the film version. It doesn’t make sense for Mudassar to say “I’ll come to the funeral, you go to Tara’s” and then end up there the next morning. Or Nakul’s story is so fast-paced that he has to get off a train to charge his phone, even though we all know that train has sockets for charging phones.

After a long time, Amit Trivedi has made an album that will win hearts. Jaikal Mahakal and Chann Pardesi are both great songs but there are a few more worth listening to.

The last word on the film “Goodbye”

Goodbye is a movie that does what it wants, even if it has some weaknesses that are masked by the emotions. If you’re watching, it’s also an art. If you can ignore them too, do it. You will learn what it’s like to lose and how to heal your heart.

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