The latest Korean drama, Agency, is one that is sure to keep audiences glued to the TV on weekend nights
This is a workplace drama that follows the life of a woman as she rises through the ranks of an advertising firm to become the first female executive at her company.
In this cutthroat sector, the show will highlight the story of the people who work behind the scenes, including their hardships, dreams, and the power that drives them to succeed.
Expect a real picture of the problems faced by people passionate about pursuing their ambitions in an advertising company on a day-to-day basis, because that’s what the show’s developer promises to deliver.
If you’ve been paying attention to this episode, you might be wondering when the next episode will be available online. Well, wonder no more!
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Agency Season 1 Episode 9: Where to watch?
This is an original production by JTBC and can be seen on the weekends. Unfortunately, there is currently no information about streaming on a global scale. However, should this change, we would make it our mission to update this area.
Agency Season 1 Episode 9: Release Time
The ninth episode is scheduled for release on February 4 at 10:30 p.m. local time (KST).
It’s reasonable to assume that Episode 9 will last approximately 1 hour and 10 minutes, which is in line with the duration of the show’s other episodes.
Agency’s first season is expected to have a total of 16 episodes, with a two-episode-per-week publishing schedule.
The first episode aired on January 7th and the final episode is scheduled for release on February 26th barring delays in the airing process. With that in mind, this one will be followed by a total of eight more episodes.
Agency Season 1 Episode 9: Trailer
In fact, JTBC recently gave the world its first glimpse of the show. Watch the promotional video below:
Agency Season 1 Episode 9: Cast
Choice requires both the ability and motivation to exercise one’s agency. Agency really is that simple, but a surprising number of novice writers get it wrong.
When we’re in the middle of drafting, it’s natural to imagine a story in terms of its plot: what happens to the characters (explosions! deaths! broken relationships!). However, this is a highly dangerous approach to the writing process.
Nothing makes a reader put down a book faster than a character just standing there and making things happen.
These people act like seashells or puppets, cardboard cutouts around which the action moves haphazardly, and it’s a bit disconcerting. Instead of the other way around, the plot should revolve around your character.
Reading books allows us to experience life from another person’s perspective. In the words of author Lisa Cron, the story is about “how the things that happen in the narrative affect the protagonist and how he or she develops internally as a result of those events”.
Your readers don’t care much about what happens outside of your characters’ control (the plot), but they do care about what the events of the plot mean to your characters and how they will react to those events. The only way to successfully achieve this goal is to give your characters agency.
In every single scene, your characters should find themselves at a fork in the road.
You’ve probably heard the expression “actions speak louder than words” before. Making decisions is the most important factor in determining one’s character.
When your characters stand at a fork in the road trying to figure out which path to take and the consequences each option will have for them, we get the best sense of who they really are.
Every single scene should present your characters, and especially your main character, with a problem to solve.
The choices they must make should be challenging, and the consequences of those choices should be enlightening.
Make sure there are actual consequences for each of the choices they can make (and keep increasing those consequences as the story progresses!).
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Agency Season 1 Episode 9: Plot
Bring your main character face to face with the moral or point of your story.
It is important that you think carefully about the challenges you set your characters. Use them to get your main character to engage with the main theme of your story.
For example, if the moral of your novel is that “cheating only leads to loss,” then the main character in your story should choose between deceit and integrity in virtually every scene. (From the blog post titled “What’s the Purpose of Your Story?”)
According to Lisa Cron’s remark above, a story is about how the main character “changes internally over time”. The choices your character makes illustrate the changes taking place within them.
You will not always choose the best or most appropriate option; Actually, they shouldn’t, because the point of this read is to see how their preferences change as the story progresses.
For example, in a story about honesty and dishonesty, a character might start out dishonest but change as the story progresses (despite unavoidable obstacles that lead to horrible results!).
Example: One of my clients is currently working on a young adult fantasy story about how lying about your mistakes only makes things harder.
When she came to me she was aware that her potion wasn’t working properly, but she couldn’t figure out why. After analyzing her scenes, we concluded that the first few chapters of her story lacked action.
Her personality, which had kept a terrible secret about a mistake she had made in the past, was forced into an opportunity to redeem her transgressions.
After we turned that moment from a commitment into a decision (with a significant impact on both outcomes), her character’s need for repentance increased by a factor of 10. Despite her horrifying story, she suddenly became someone the reader could truly leave behind could and cheer.
After changing those early choices, we outlined the remaining crossroads in the novel and made it a point to ensure that at each of those points the character always had an opportunity to either lie or reveal the truth.
William Gibson, who is of American and Canadian descent, is the author of the science fiction novel Agency which was published on January 21, 2020.
Agency Season 1 Episode 9: Recap
- It is a “sequel and prequel” to his previous novel, The Peripheral (2014), and uses that novel’s technology to explore an alternate 2017, in which Hillary Clinton was victorious in the 2016 presidential election.
- As the narrative progresses, the idea of the “jackpot” that is part of The Peripheral’s backstory is explored more deeply.
- One plot takes place in an alternate 2017 and focuses on a young lady named Verity who works for a start-up company in San Francisco. She is responsible for testing a new type of avatar software being developed by the military. A second story arc focuses on characters living in a post-apocalyptic future disrupting the events of 2017.
- CBC Books has included Agency in its list of notable upcoming works of Canadian fiction for Spring 2020. It was expected to be released sometime in January 2018.
- The Agency Review publishes weekly reviews of recent books important to the advertising industry.
- This site offers reviews not only of traditional business books, but also of books that reflect, relate to, or deal with the larger culture that deals with advertising. Because we believe that advertising is where business, art and culture collide every day.
- Since its inception, we’ve reviewed over 190 volumes, covering subjects as diverse as humor, history, music, memoirs, autobiographies and even novels. Some of the authors we have covered are Ogilvy, Hopkins and others.
- Additionally, each year we also publish a special edition of our Year in (The Agency) Review, in which thought leaders share what they read the previous year, what excited them, what they hope to read next year, and what they think wished someone would write it because they would read it as soon as it was written.
- In 2013 we started providing exclusive monthly content accessible only to subscribers. This included interviews with authors whose work we have previously critiqued, as well as a feature called “Backstory” where industry experts discuss what they are reading and why.
- In addition, Business Insider named us one of the “30 Best Advertisers to Follow on Twitter” that same year.
- Please contact us at theagencyreviewATgmailDOTcom if you have a book you would like us to review, if you are an agent of an author you would like us to interview, if you are hosting an event you would like to speak to us or are just interested at to woo us. We’d love to hear from you!
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